The random location of all fixed objects that cities depend on (signs, hydrants, etc..) interacting with night lighting makes the possibility of shadows casting the same composition in two places almost impossible.

By bringing this to canvas and marking the latitude and longitude, these paintings can leave their context and travel around the world with the chance of being brought back to their place of origin and lay in position for the shadows to fill the drawings again.

New York-Virginia-New York, 2001.


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